If you’re looking for a musical plan for this weekend that will take you away from the urban routine, check this out, because there’s a jazz concert in Mexico City that blends the mysticism of Haiti with rhythms that will get you dancing.
To understand this artist’s vision, you have to get to know her better. Sylvie Henry is a Haitian singer, a graduate of the Superior School of Music, with impeccable classical training. Her voice acts as a bridge between two worlds: European technique and an innate African authenticity, allowing her to navigate with great ease between diverse musical genres.
In her style, she embraces the deepest roots of Afro-Caribbean music and intertwines them with the expressive freedom of jazz. The result is a versatile repertoire that includes everything from traditional jazz, blues, and funk to world music and contemporary Caribbean fusions.
Sylvie defines her own style as “Voodoo Jazz.” In this concept, she revisits traditional Caribbean melodies from their roots, fusing them with classical music from all eras. She also incorporates the mysticism of Haitian Vodou, making it evident in her singing and performance style, achieving an emotional power and technical clarity that often surprises the entire audience.
Her current project is titled “Konbit Voodoo Jazz: Africa in Our Minds,” which functions as a concert-ritual. The word konbit, in Haiti, refers to the collective participation of farmers in working the land, a task where music is fundamental to motivating their efforts. It is, in essence, a gathering or “tequio” where the songs and drum rhythms inherited from ancient folklore take center stage.
Prepare for a sonic experience that transforms the stage into a collective altar. This jazz concert in Mexico City will be a hypnotic journey where art becomes ritual to pay homage to the ancestral memory of Africa.
Sylvie Henry will not be alone; The performance will feature a full instrumental ensemble, including:
Flute and trumpet.
Saxophone and guitar.
Keyboards and bass.
Percussion and drums.
The setlist includes songs such as “Kongo L’afrik,” “Pachanga,” “Panama M’tombe,” “La Renn Soley” (Queen of the Sun), “Papa Loko,” “Kafu A,” “Mambo Siya,” and “Lamento Caribe.” It’s a fusion of traditional melodies with jazz, funk, and blues, and is part of the Women’s Music series.
Note the details so you don’t miss it:
Date: Saturday, March 28, 2026.
Time: 7:00 p.m.
Location: Blas Galindo Auditorium at the National Center for the Arts (Cenart).
Cost: Tickets are $300.
Tickets: You can purchase them directly online through the official Cenart website.
The National Center for the Arts (Cenart) is located in the southern part of the city, specifically at the intersection of Río Churubusco and Calzada de Tlalpan. You have several options to get to the Blas Galindo Auditorium:
By Metro: The easiest option is to take Line 2 (the blue line) to the General Anaya station. Upon exiting, walk a few minutes along Calzada de Tlalpan towards the Circuito Interior (Río Churubusco) and you will see the cultural complex.
By Car: If you are coming via the Circuito Interior, take the access road before crossing Tlalpan. Cenart has its own parking lot, although we recommend arriving early as it tends to fill up on event days.
By Bike: The complex has spaces to lock your bike, an excellent option if you live in the Coyoacán or Country Club neighborhoods.
This event is a unique opportunity to connect with Caribbean and African roots through exceptional vocal technique, and the best part is that it will take place in one of Mexico City’s most important cultural venues.
Konbit Voodoo Jazz: Africa in Our Minds
When? Saturday, March 28, 7:00 p.m.
Where? Blas Galindo Auditorium, Cenart (Country Club Churubusco, Coyoacán, Mexico City)
Cost? $300
Source: chilango
