Artists such as Laura Bugarini, Verónica Enns, Paula Gallegos, Gaby Híjar, Martha Rosa Sebastián, and Rita Torres Nava gathered together, through their diverse offerings, this Thursday evening at Casa Chihuahua to inaugurate the exhibition “Alfarera.”
More than a mere exhibition, each work on view is a tangible tribute to the ceramic tradition of the different regions that make up Mexico’s largest state, as varied as the names and roots of its makers.
Through the hands of each of the aforementioned artists, the clay conveys the history, way of life, and unique interpretation of reality of each of them, with unique pieces that explore both the technique and the narrative that accompanies them.
Likewise, the pieces exhibited as a whole simultaneously showcase the diversity of ceramics found in Chihuahua and are a pretext for the union of women from different backgrounds and cultures who share their talent and tradition, offering a unique perspective on the multiple interpretations of this ancient art form.
The exhibition begins with archaeological ceramics from Casas Grandes, one of the most representative cultures of northern Mexico. The Paquimé pieces, with their fine details and geometric shapes, are a testament to the high level of sophistication achieved by this pre-Hispanic civilization.
The exhibition then continues with the traditional heritage of Mata Ortiz, a small town in the north of the state, which has become famous for its pottery techniques that fuse the ancient with the modern.
One of the most interesting sections of the exhibition presents utilitarian pieces crafted from the perspective of the Rarámuri, who have kept their ceramic traditions alive, producing functional pieces that are not only useful but also carry profound cultural significance.
Finally, “Alfareras” (Potters) showcases contemporary ceramics developed in the Mennonite countryside and in the state capital. In this section of the exhibition, one can see how local ceramists have embraced new influences without losing sight of their roots, creating pieces that engage with the present, but also with the past.
Source: oem
